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This inaccuracy may seem a small point to quibble, but is not as the music consistently makes its odd presence felt and undermines the work done by others involved. Instead, conventional scoring techniques were adopted so we have scenes that visually strike us as true to life in the 1770s accompanied by an orchestra in a form first found almost 100 years later playing harmonies common over 120 years later. When the music was added after filming, it would have been logical for historical accuracy to be demanded of the score as well. The level of detail that obviously went into production design creates a space for the actors to inhabit that must have aided their uniformly remarkable performances. As they have shown in the past, both men understand the demands of television scoring and write beautiful music, but in this case, their music undercuts the drama and intrudes upon the listener when it should recede into the background.Īs a production, John Adams was obsessed with factual accuracy – evening scenes are lit with candle light streets are muddy men and women have missing teeth, do not wear make-up, and have difficulty with their clothing and wigs. Unfortunately, the producers and directors neglected to demand the same level of verisimilitude from the score for John Adams, ably written by television and miniseries veterans Rob Lane and Joseph Vitarelli.
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Both book and miniseries were praised for their attention to detail and their ability to put the reader and viewer in Colonial American more than once critic\'s espoused that John Adams presented life the way it actually was. In 2008, the Playtone/HBO miniseries based on McCullough\'s biography and bearing the same name won the Emmy award for Outstanding Miniseries along with seven other awards. In 2002, David McCullough\'s riveting book John Adams was awarded the Pulitzer prize for biography.